Pothole Politics Can't Come Soon Enough to the Hellscape That Is Brooklyn's Broadway
"These are not potholes, they're craters."
Hell Gate is owned & run by journalists covering NYC.
The Knicks delivered a critical beatdown. On to the semifinals!
"These are not potholes, they're craters."
Keeping our finger on the pulse of what's new and noteworthy.
"The Jellicle Ball"'s Nora Schell has transformed a semi-disposable "Cats" character into a newfound Broadway icon.
Aluminium foil sculptor Dean Millien kicks off Hell Gate's newest column, Creative Accounting.
"Trans art is the preservation of joy, not merely the celebration of it."
A wide-ranging conversation with Philip Hartman, filmmaker and Two Boots proprietor, about the bygone characters and haunts of his 1986 film.
Filmmaker Joel Alfonso Vargas on how his new movie, "Mad Bills to Pay," reflects a hyper-real Bronx experience.
The newly-launched NYTV is interested in producing projects with measured budgets and zero compromises.
Regulars from Hank's, the beloved, deceased Boerum Hill saloon, came together for a memorial pour and to see a new documentary about their old haunt.
Herman Jessor designed Co-Op City, Starrett City, and more housing units in New York than any other architect—so why don't more people know his name?
What would the city look like if the visionary designer's public projects had actually been built?
A new adaptation of the classic film for Broadway is a farce in all the wrong ways.
And two of them are how great Jaÿ-Z Is.
Filmmaker Caroline Golum on her feature "Revelations of Divine Love," recreating 14th-century England in Ridgewood, and the battles low-budget productions face.
A sprawling, personal, and vexing new book attempts to provide an answer.